Again, I'm floored by the quality of your responses. Thank you, this is extremely helpful for the development process.
Dominic- Positioning the Sorapot as a teapot that works with all loose teas, not just greens and whites, could be a good way to go. I do think that emphasizing all the space the leaves have to unfurl is important though, especially because in my experience, most modern teapots restrict the leaves to a small basket. I agree that pouring boiling water on green leaves will ruin them, no matter how quickly the water cools down after that. I'd never encourage people to use boiling water, and plan to include info about that in the package copy.
I've loved tea for a long time and actually posted a bit to this group back in 2000-2001:
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I still enjoy tea every day, but as you can see, my knowledge has gotten rusty.
Lewis- Thank you for you comment, and your point about boiling water is also well taken. I'll make sure to point this out in the package copy. Maybe an invitation for customers to visit this group to find out more about tea would be good.
Derek- Thank you also for your comment. You're definitely right about the o-ring. I should make this more clear in my drawings, but there is actually a natural silicone gasket that connects the front of the glass tube to the ceramic piece. The mesh screen is embedded in this gasket.
Phyll- Figuring out how people could get water into the Sorapot was one of the toughest parts of the design process. As you can see here
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I wanted to use a traditional lid in the original design. That proved to be impractical for manufacturing and aesthetic reasons, so I began to work on other water-delivery methods. I designed the spout to be "funnel-like" enough that pouring won't need to be that precise. However, if just the idea of pouring into the spout is off-putting, regardless of how hard or easy it is, it's something I need to reexamine.
MarshalN- Thanks for bringing this up. There will definitely be a lot of stress tests performed before I put this on the market, for insurance reasons but mostly because I personally want this product to last a long, long time for my customers. One of the main reasons I got into industrial design was my frustration with the built-in obsolescence that characterizes a lot of products nowadays. It may help sell more units in the short-term, but it will kill the emotional connection that people develop with the everyday objects they love, it leads to pollution, and it really makes the product less successful and less admirable. I'm going to have a final prototype soon and plan to begin selling during next year's holiday season, so I'm leaving a lot of time for torture testing.
The cylinder will be made from high-grade borosilicate lab glass, which is inert and very easy to wash. I've had similarly bad stain experiences with plastic tea and coffee vessels, so there was no way I was going to go down that path.
Mike- Although my design philosophy is rooted in traditional Japanese folk crafts, now that you mention it I can definitely see the DS-9 influence. It was my favorite show as a kid, so maybe the curved, dull-colored metal mixed with brown and gray outfits on the show was more influential than I had imagined. I have always loved a contrast between sleek and rustic, which I think was a large part of the series, in terms of both look and theme.
I agree that a gaiwan is the perfect vessel for making delicate tea. I have two that I use all the time- one is white glazed porcelain and the other is clear Pyrex. Sorapot isn't designed to compete with the gaiwan- it's more focused on sharing tea with friends, gift-giving, and interesting design.
If any of you are local to NYC, I'd love to set up a meeting where I'd bring a Sorapot for you to use and discuss; probably in February or March. Please let me know if you'd be interested, and I'll make sure I have a prototype ready by then. "Drinks" will be on me of course.
Warm regards, Joey